Retrospective: The Lost Caverns of Tsojcanth

Published at the tail end of the Golden Age, 1982's The Lost Caverns of Tsojcanth was one of my favorite modules for a long time. Even today, looking back on it, I retain a great deal of fondness for module S4, in part because I played it so often. That's something that's been missing from D&D modules for some time: replayability. Back in the day, I clearly recall using many, perhaps most, modules multiple times and not just with different groups of players or even characters. Rather, the same characters would re-visit modules in which they'd previously adventured, a phenomenon I don't recall happening during the 2e or 3e eras, when modules seemed much more "disposable" in nature.

The Lost Caverns of Tsojcanth was anything but disposable. Firstly, unlike a lot of modules, this one included an extensive wilderness component, with the characters having to travel overland to reach the dungeon itself. Now, wilderness adventuring was commonplace in those days, but comparatively few AD&D modules dealt with it explicitly, focusing instead on the dungeon itself. That's probably due to the fact that a great many of these modules had their origins in tournament play, where wilderness adventuring would eat up too much time to include. Ironically, The Lost Caverns is based on a similarly-named tournament module played at WinterCon V in 1976, which did not include a wilderness component.

The meat of the module itself consisted of two levels of caverns, formerly the abode of the archmage Iggwilv, binder of demons and mother of the demigod Iuz of the Greyhawk setting. Consequently, the caverns are home to all manner of strange beasts, many of them former servants (or slaves) of Iggwilv, now free to pursue their own agendas. This gives the caverns a strange, almost otherworldly flavor to it, a feeling that lingers more than two decades later. Despite this, Gygaxian naturalism is in somewhat attenuated force, with the various inhabitants of the place doing more than just hanging around awaiting the arrival of the PCs. Even so, most of the naturalism is suggestive rather than explicit, depending on the referee to expand upon the brief details given in the text. That's part of the fun of this module -- figuring out why, for example, a hill giant keeps a giant rhinoceros beetle as a pet or what the dao disguising themselves as harem girls are up to.

I suppose the real draw of The Lost Caverns was its 32-page monsters and magic items supplement. Remember that this module was published in 1982, before both the Monster Manual II and Unearthed Arcana ushered in "AD&D 1.5e." Unless you were a regular reader of Dragon -- as many of my players weren't -- you weren't familiar any of the new creatures, magic items, or spells previewed there before their appearance in module S4. I'll admit that I loved most of the new material introduced here, particularly the expanded menagerie of demons and demon lords, as they were frequent antagonists in my old campaigns. I also appreciated the new magic items, particularly the Prison of Zagig, which saw much use in the hands of one of the PCs back then.

For all my affection for the module, it's a tinged a bit with disappointment and not a little sadness. Like many late Gygax works, you can see a definite change in both the presentation and content. There's boxed text aplenty in The Lost Caverns and, although it's mostly innocuous (compared to, say, Isle of the Ape anyway), it nevertheless presages a shift toward a hand-holding, pre-packaged style that eventually turned me off buying TSR adventure modules at all. Likewise, while I don't generally mind "more stuff," S4 feels a bit like an extended advertisement for upcoming products, notably Monster Manual II. The original tournament module included, so far as I can recall, no new monsters and was perfectly adequate for its purpose.

But then that's the point. By 1982, TSR was changing and the purpose of adventure modules along with it, as we'd see more fully in the watershed year of 1983. That's why, much as I like The Lost Caverns of Tsojcanth, I also see it as a harbinger of much I would not like and whose effects proved far-reaching.