Retrospective: BeltStrike

Traveller was released in 1977 in a digest-sized box, mimicking the format of OD&D, published just three years earlier. During its first few years of existence, Game Designers' Workshop released several other similarly sized boxed sets to support the game, starting with Mayday in 1978. For a lot of people, myself included, Traveller is strongly associated with digest-sized books, so much so that many of the 'zines and licensed third party support released for the game were similarly sized. (Judges Guild's books were the primary exception to this.)

Beginning with The Traveller Book in 1982, GDW began a shift away from digest-sized books and toward more traditional 8½" × 11" books for the game. I'm not entirely sure why the company chose to do this, but, whatever the reason, there were soon no more digest-sized books to be had. The Traveller Adventure, the various alien modules, and even the Starter and Deluxe editions of the game were all published as standard-sized books – a size every subsequent version of Traveller has used up to the present day.

Around the same time, GDW released new versions of Mayday and Snapshot that made use of the larger size. These were the versions I owned, though I've long since lost and replaced them with the earlier digest-sized versions, because I'm silly that way. These games paved the way for additional boxed sets for use with Traveller, like Tarsus, which appeared in 1983. Then, in 1984, BeltStrike appeared in the same format – two 12-page, staple-bound booklets, four 4-page adventure folders, a fold-out map of Koenig's Rock, and some perforated cards containing the write-ups for a dozen pregenerated characters. Like most Traveller products, there's not much in the way of art beyond David Dietrick's box art.

Like Tarsus before it, BeltStrike devotes itself to the description of a single star system in the Spinward Marches, in this case the Bowman Belt, a planetoid belt located in the same subsector as Tarsus, District 268. As its name suggests, District 268 has not yet been fully incorporated into the Third Imperium, but is instead a colonial territory being developed in preparation for eventual inclusion within the empire. This gives its worlds, including the Bowman Belt, a distinctly "frontier" feel to them – which is saying something, as the Spinward Marches sector itself is something of a backwater sector located on the fringes of the Imperium. 

The first 12-page booklet is the Bowman System Reference Book. It lays out the basic facts of the Bowman system, as well as its major points of interest. There's also a map of both the entire system and of Bowman Prime (a gas giant) and its satellites, so referees and players alike have a good idea of where all the major astronomical bodies are located in relation to one another. Information about Bowman's history and place within the Marches takes up much of the booklet's page count, followed closely by library data and a key to Koenig's Rock, a planetoid settlement with a reputation for lawlessness and vice.

The second 12-page booklet is the Belter's Handbook. As its title suggests, it focuses on creating and playing belter (asteroid miner) characters. There's not only a full career for such characters (which had previously appeared in Supplement 4: Citizens of the Imperium), but also many practical details on asteroid mining, like the ins and outs of prospecting, claims and profits, encounters, and the effects of zero and low gravity. None of these details are exhaustive – the booklet is short, after all – but they're solid enough to provide the referee with sufficient guidance that he could pretty easily make use of them in his campaign. 

Finally, there are the four adventure folders – really just two double-sided pages – each of which presents a different situation that might involve the player characters within the Bowman system. The first one, "Lodes of Adventures," is really just an introduction to the system and its sights. The second, "On the Rock," takes place on Koenig's Rock and its shady inhabitants. Adventure three, "Claimjumpers," deals with fending off rival belters. Finally, there's "Archeology," which allows the characters to find a high-tech base of an alien civilization that's been lost in the belt for centuries. Like everything else in BeltStrike, the adventures are more sketches than fully fleshed out scenarios. While this is fairly typical for Traveller, this might prove frustrating for inexperienced referees.

In my youth, I wasn't a big fan of BeltStrike for precisely this reason. I felt there was too little information to fully exploit its potential. After all, asteroid belts are inherently interesting locales in a sci-fi setting and I simply didn't think the Bowman Belt was interesting as I had hoped it would be. Now, I look on it a little more charitably. I made good use of it during my Riphaeus Sector campaign by repurposing bits and pieces of it in my own non-Third Imperium setting. Both Koenig's Rock and the ancient alien base made great additions to the continuing adventures of the characters as they made their way across the sector. It's far from the best thing GDW ever released for Traveller, but I'm still fond of it (and it inspired me when I took my own stab at presenting an asteroid system for gaming).

Retrospective: Alien Module 2: K'Kree

Traveller's Charted Space setting, home to the Third Imperium and its interstellar neighbors, is one I know very well. It's also one that I rank as my favorite imaginary setting – a testament to its near-perfect blend of originality and pastiche. Charted Space is a setting that's expansive enough to contain almost anything you can imagine in a space opera while still feeling distinctive. That's a more impressive feat than one might imagine, especially when one considers how often others have failed in the attempt. 

One of the many ways by which Game Designers' Workshop achieved this was by subverting expectations. I mean that as a genuine compliment, not as a bit of nonsensical marketing speak. Very often, GDW would take a commonplace element of science fiction and ring a change or two on it so as to give it a different complexion, one unique to Traveller. Though they employed this technique throughout the game's product line, I feel as if they put it to best effect in their series of Alien Modules, beginning with Aslan in 1984. 

Aslan is a solid reworking of the "proud warrior race" trope, but I don't think anyone who reads it is going to be blown away by its content. That's not a knock against by any means, just an acknowledgment that it treads ground familiar to anyone who's a longtime sci-fi aficionado. From the Dorsai to the Klingons and Kzinti, the genre is replete with such races and cultures. Though I happen to think the Aslan are an interesting and well-done example of a proud warrior race, proud warrior races are a dime a dozen in both SF and fantasy. If you really want to impress me, you need to do something genuinely different.

That's exactly what GDW did with its second alien module, devoted to the "enigmatic centaurs" known as the K'Kree. Written by J. Andrew Keith and Loren Wiseman, this 40-page book was published the same year as its predecessor, but it's much more interesting. As you might notice from the cover image above (provided by the ever-awesome David Dietrick), the K'Kree are six-limbed beings, hence their nickname of "centaurs." That alone sets them apart, not just from humans or Aslan but from most alien races presented in science fiction. Of course, that's not the only thing that makes them unique, as I'll explain.

The K'Kree are the descendants of herbivorous grazers – like horses or cattle – that evolved to intelligence and eventually came to dominate their homeworld. The Alien Module explains that the K'Kree were not the only intelligent species to have evolved there. At least one other, known as the G'naak, also did so, against whom the K'Kree fought during ancient wars that also served to accelerate their technological development. The G'naak, unlike the K'Kree, were carnivores and were thus seen as an existential threat that demanded nothing less than genocide. With the G'naak wiped out, the K'Kree continued to develop, both culturally and technologically, until they eventually discovered jump drive and made their way to the stars.

The K'Kree are one of Traveller's so-called Major Races – one of the six species that discovered jump drive independently and established mighty interstellar states. The K'Kree's interstellar state, the Two Thousand Worlds, exists to trailing of the Imperium. Under its Steppelord, the Two Thousand Worlds is a deeply conservative polity dedicated to stability and protecting its people from outsiders, particularly meat-eaters, whose scent reminds the K'Kree of the long-defeated G'naak (who are akin to bogeymen in their culture). Revulsion of carnivores is so great among the K'Kree that, for example, they demand that ambassadors from other species abstain from eating meat for months before they will even receive them, among many other idiosyncratic practices.

Like their ancestors, the K'Kree prefer to travel in large groups. Among them, a desire to be alone – never mind enjoyment of it – is taken as a sign of insanity. They likewise hate enclosed spaces. All K'Kree would, by human standards, be considered claustrophobic, which is why their spacecraft are large and feature wide corridors and high ceilings. Alien Module 2 makes a good effort of explaining the mindset of the K'Kree and how it affects both their everyday behavior and the diplomacy of the Two Thousand Worlds. The K'Kree are a very alien race and rather unlike most of the nonhuman aliens encountered in popular science fiction.

That's a big part of why I hold Alien Module 2 in such high regard. At the same time, there's no denying that the K'Kree aren't really suitable for use as player characters – at least not easily. The module includes rules for doing so, along with an adventure designed to be used with K'Kree player characters. However, in my experience, it's just not practical in the long term, since K'Kree travel in large numbers, saddling a group of PCs with lots of additional servants, followers, family, and hangers-on that can get in the way of ordinary play. 

Of course, that's the price for creating a genuinely alien species, with an unusual society, culture, and psychology. The K'Kree do, however, make for very memorable NPCs and in that role they're among the most interesting beings in Charted Space. The Traveller campaign in which I'm playing is set in a region of space not far from the Two Thousand Worlds and, while we've not yet run into the K'Kree directly, their presence is nevertheless felt. Indeed, the player characters have some trepidation about the possibility that these militant vegetarians might one day take notice of what's happening in our little corner of the universe. Good times!

No Game for Young Men

If you're an old Traveller hand, the fellow above needs no introduction; you know exactly who he is. Heck, you might even be able to rattle off his UPP -- 779C99 --and tell me how many tours he did with the merchant service before being forced out.

Drawn by the incomparable David R. Dietrick, this illustration of Captain Alexander Lascelles Jamison is for me one of the iconic images of Traveller. Gamers not familiar with this classic SF RPG might not understand the power this image holds. After all, Captain Jamison is just some jowly, middle aged guy who's grown his hair a bit too long to compensate for his rapidly receding hairline. What's so special about that?

It's hard to explain, but part of the appeal of Traveller for me is that it's always been a game about "real life." Yes, yes, I know that's absurd, but that's how it looked to me as a kid. I mean, how many games assume your character has a mortgage, let alone a mortgage on his starship? Traveller characters go on adventures not gain XP -- they don't improve through play -- but to make enough money to meet their next mortgage payment. Combine that with the fact that most Traveller PCs were in the 40s or 50s, collected a pension, and had already had a career before they took to traveling Charted Space and it's a recipe for a game unlike any other I'd ever played.

It certainly was utterly unlike what I expected from science fiction, this being the era of Star Wars and its many imitators. Playing an old ex-military guy who undertook missions to make ends meet probably isn't anyone's vision of what a SF RPG should be about -- unless they've played Traveller for years. Now, it's hard to shake that vision out of my head. It's become my default assumption of what an old school SF RPG campaign should be like. Anything more "glamorous" somehow doesn't seem right, as if it's somehow a violation of some deep principles. It's not, of course, but such is the power of Traveller for me, a game that had the benefit of not only being the first significant SF RPG (spare me the corrections; I'm aware of the other contenders) but also one with a unique vision that defied expectations.

That, right there, is why Traveller endures, despite a mountain of bad design decisions by its creators over the years: it's a SF RPG that defies expectations. It's a relic from an age when books were the main engine of speculative fiction and before the success of Star Wars had fully taken hold. Like OD&D, it's a game that, to many people, probably seems very odd, because it's not at all in line with popular conceptions of what a game of its genre ought to be. I think that's all to the good, especially as I find myself and my gaming group looking more like Alexander Jamison every day.